ROGER PERKINS
Roger Perkins, An empty vessel makes the
Roger Perkins, Greenham Museum poster (1950s) |
interaction DERIVATIVES In the past number of years I have collaborated with artists from visual art, sound, dance and theatrical backgrounds. Each of these 'interactions' has always brought something fresh and challenging to my individual practice. However, I do not see these collaborations as a separate or lesser form of my own practice. The important issue for me is to remain creative whenever possible- whether that is within the realm of individual or collective practice or not. (Or, indeed, whether that is within a 'visual' context or any other media). The challenge of collaboration/interaction is to remain open to another idea(s) whilst remaining focused upon the criteria of the work itself. That, somehow, another 'third party' in the creative process remains all important - the sum being greater than its parts. Participation in Cally Trench's project gives another opportunity to further collaboration/interaction with one or more artist. It's scary and it's exciting in equal measure! But, well worth the risk. Click here for Roger Perkins's website ROGER PERKINS'S CONVERSATIONS AND INTERACTIONS:Home Delivery - Board Games with Cally Trench, Kay Sentance, Ann Rapstoff, and Philip Lee Self-Critical Badges, a project by Duncan Sellar Round in Circles, a project by Martina O'Shea |
